Description
In 726, the Byzantine emperor, Leo III, issued an edict that all religious images in the empire were to be destroyed, a directive that was later endorsed by a synod of the church in 753 under his son, Constantine V. If the policy of Iconoclasm had succeeded, the entire history of Christian art—and of the Christian church, at least in the East—would have been altered.
Iconoclasm was defeated by Byzantine politics, popular revolts, monastic piety, and, most fundamentally of all, by theology, just as it had been theology that the opponents of images had used to justify their actions. Analyzing an intriguing chapter in the history of ideas, the renowned scholar Jaroslav Pelikan shows how a faith that began by attacking the worship of images ended first in permitting and then in commanding it.
Pelikan charts the theological defense of icons during the iconoclastic controversies of the eighth and ninth centuries, whose high point came in 787, when the Second Council of Nicaea restored the cult of images in the church. He demonstrates how the dogmas of the Trinity and the Incarnation eventually provided the basic rationale for images: because the invisible God had become human and therefore personally visible in Jesus Christ, it became permissible to make images of that Image. And because not only the human nature of Christ, but that of his Mother had been transformed by the Incarnation, she, too, could be “iconized,” together with all the other saints and angels.
The iconographic “text” of the book is provided by one of the very few surviving icons from the period before Iconoclasm, the Egyptian tapestry Icon of the Virgin now in the Cleveland Museum of Art. Other icons serve to illustrate the theological argument, just as the theological argument serves to explain the icons.
In an incisive foreword, Judith Herrin explains the enduring importance of the book and discusses how later scholars have built on Pelikan’s work.
Details
Discover the captivating world of Byzantine art with Imago Dei: The Byzantine Apologia for Icons. This remarkable book, part of The A. W. Mellon Lectures in the Fine Arts series, delves deep into the rich history and significance of religious icons in the Byzantine Empire. Whether you're an art enthusiast, a historian, or simply curious about the cultural heritage of this ancient civilization, this comprehensive work is an absolute must-have for your collection.
Imago Dei offers a unique perspective on the power and purpose of icons, shedding light on their spiritual, artistic, and political dimensions. Uncover the intricate symbolism behind each icon and immerse yourself in the Byzantine worldview through a visually stunning exploration of these sacred images. From the renowned theologians to the skilled craftsmen who brought these icons to life, this book provides a comprehensive overview of the craftsmanship and spiritual significance that made Byzantine art so extraordinary.
Whether you're a seasoned collector or a novice beginning to appreciate the beauty of Byzantine art, Imago Dei will undoubtedly deepen your understanding and appreciation for these iconic works. With each page, you'll be transported to a world of opulence and devotion, where art and faith intertwined to create enduring masterpieces.
Don't miss out on the opportunity to own this extraordinary book that combines meticulous research, insightful analysis, and breathtaking imagery. Imago Dei is now available for purchase. Click here to embark on an enlightening journey to the heart of Byzantine iconography.
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