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Collections, Catalogs & Exhibitions - Color as Field: American Painting, 1950-1975 (American Federation of Arts)

Description

Book Synopsis: Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists' individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists.

Details

Discover the captivating world of Color field painting with Color as Field: American Painting, 1950-1975. This beautifully curated book, brought to you by the American Federation of Arts, delves into the radiant and uninflected hues that have defined this extraordinary art movement. Immerse yourself in the stunning works of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among other prominent artists, as they redefine American abstract art.

Unlike the gestural and emotionally charged works of their contemporaries, color field painting breaks away from the norm and embraces ideas of all-overness and the importance of color. Color as Field takes you on an insightful journey, exploring how these artists rejected the traditional approaches of Willem de Kooning and his followers, while building upon the foundations laid by abstract expressionist pioneers like Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko.

Step into the 21st century and witness the long-overdue reevaluation of color field painting. This comprehensive reassessment not only delves into the individual approaches of the artists, but also reveals the intriguing connections that tie them together. As you turn the pages, gain a deep understanding of the ongoing legacy of color field painting among present-day artists, and how it continues to shape the art world today.

Don't miss the opportunity to own this invaluable resource for art enthusiasts, collectors, and scholars alike. Enhance your understanding of American abstract art with Color as Field: American Painting, 1950-1975. Experience the beauty of color and uncover the secrets of this mesmerizing art movement. Get your copy now!

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