Witnessing Slavery: Art and Travel in the Age of Abolition (Paul Mellon Centre for Studies in British Art)

Discover the powerful and thought-provoking book, Witnessing Slavery: Art and Travel in the Age of Abolition. Offering a timely and original perspective, this book delves into the role of the eyewitness account in the representation of slavery in British and European art. With over 160 captivating paintings, watercolors, drawings, and prints, this book provides an unprecedented examination of the evolving iconography of slavery between 1760 and 1840.

Renowned art historian, Sarah Thomas, sheds light on how artists like Agostino Brunias, James Hakewill, and Augustus Earle responded to the abolitionist politics of their time. Emphasizing the significance of eyewitness accounts, Thomas explores how these visual representations of transatlantic slavery gained credibility through their connection to real-life experiences. Through this lens, Witnessing Slavery offers a reimagined understanding of the historical context in which these images were created.

Witnessing Slavery is more than just an exploration of art; it delves into the deeply contested subject of truth. By examining the credibility of imagery captured by eyewitnesses and comparing it to the imaginings of the "armchair traveler" at home, this book challenges existing perceptions surrounding the depiction of slavery. Its original insights shed new light on these highly charged images by breathing life into their historical significance.

Experience the visual narrative of slavery in Witnessing Slavery: Art and Travel in the Age of Abolition. This eye-opening book is a valuable addition to anyone interested in history, art, or the enduring impact of slavery. Get your copy today and embark on a journey that will forever change your perspective on this crucial period in history.

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