Description
Book Synopsis: Reimagines photography through the long history of ideas of expression. The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world.
The Unintended slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century.
Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts.
Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making.
The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.
Details
Are you ready to dive into the fascinating world of photography and uncover the hidden narratives behind its development? Look no further than The Unintended (America and the Long 19th Century, 26). This captivating book reimagines the art of photography by exploring its long history of ideas and expressions. Discover how photography evolved alongside the forces of Western modernity, such as industrialization, racialization, and capitalism, in a time of rapid transformation.
At the end of the nineteenth century, the very technology of photography seemed to accelerate, mirroring the speed of societal changes. In The Unintended, Monica Huerta skillfully analyzes the significant shifts in the markets, mediums, and forms of photography during this dynamic period. By examining the intersections of photography, legal thinking, and aesthetics of whiteness, she uncovers the subtle ways in which property ownership and the notion of control were influenced by the medium.
This thought-provoking book goes beyond a mere exploration of the technical aspects of photography. It weaves together the histories of performance, portraiture, and law to shed light on how property rights involving photographs were established or challenged in court cases and legal documents. By delving into the connections between expression, control, autonomy, and white supremacy, The Unintended offers a fresh perspective on the workings of racial capitalism and the enduring legacy of white dominance in society.
If you're seeking a deeply engaging and historically-specific vantage point for understanding the intricate mechanics of racial capitalism, then The Unintended is the perfect choice. Order your copy today and embark on a journey that will broaden your understanding of photography's impact on our lives.
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