Description
Book Synopsis: Examining the Victorian serial as a text in its own right, Catherine Delafield re-reads five novels by Elizabeth Gaskell, Anthony Trollope, Dinah Craik and Wilkie Collins by situating them in the context of periodical publication. She traces the roles of the author and editor in the creation and dissemination of the texts and considers how first publication affected the consumption and reception of the novel through the periodical medium. Delafield contends that a novel in volume form has been separated from its original context, that is, from the pattern of consumption and reception presented by the serial. The novel's later re-publication still bears the imprint of this serialized original, and this book's investigation into nineteenth-century periodicals both generates new readings of the texts and reinstates those which have been lost in the reprinting process. Delafield's case studies provide evidence of the ways in which Household Words, Cornhill Magazine, Good Words, All the Year Round and Cassell's Magazine were designed for new audiences of novel readers. Serialization and the Novel in Mid-Victorian Magazines addresses the material conditions of production, illustrates the collective and collaborative creation of the serialized novel, and contextualizes a range of texts in the nineteenth-century experience of print.
Details
Looking for a captivating and immersive reading experience? Look no further than "Serialization and the Novel in Mid-Victorian Magazines (The Nineteenth Century Series)". Written by Catherine Delafield, this book delves into the fascinating world of Victorian serials, re-reading renowned novels by Elizabeth Gaskell, Anthony Trollope, Dinah Craik and Wilkie Collins. By situating these novels in the context of periodical publication, Delafield uncovers a hidden layer of storytelling that enhances the reader's engagement.
Discover the intricate roles of authors and editors in the creation and dissemination of these texts. Gain insight into how first publication in periodicals affected the consumption and reception of novels during the mid-Victorian era. Delafield convincingly argues that a novel in volume form loses some of its original essence, which lies in the pattern of consumption and reception presented by the serialized version. This book's investigation into nineteenth-century periodicals not only generates new readings of these timeless texts but also reinstates those which have been lost in the reprinting process.
Immerse yourself in the pages of "Serialization and the Novel in Mid-Victorian Magazines" and gain a unique perspective on the Victorian reading experience. Delafield's insightful case studies provide evidence of how publications like Household Words, Cornhill Magazine, Good Words, All the Year Round, and Cassell's Magazine were specifically designed to captivate and entertain novel readers of the time. Moreover, by addressing the material conditions of production and illustrating the collective and collaborative creation of serialized novels, this book deeply contextualizes a range of texts in the nineteenth-century print culture.
Don't miss out on this opportunity to delve into the fascinating world of serialized novels. Order "Serialization and the Novel in Mid-Victorian Magazines" today and embark on a literary exploration like no other.
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