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Communication & Journalism - The Moving Eye: Film, Television, Architecture, Visual Art and the Modern

Description

Book Synopsis: Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion.

Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Her books have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study.

The Moving Eye: Film, Television, Architecture, Visual Art and the Modern gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality. Ranging from early cinema, to works by Le Corbusier, Sergei Eisenstein, Gordon Matta-Clark, and Pierre Huyghe, to theories of the image in motion informed by psychoanalysis, theories of the public sphere, and animal studies, each of the nine essays in the book advances the lines of inquiry commenced by Friedberg.

Details

If you're a film enthusiast or a scholar in the field of media studies, you understand the importance of the moving image. But did you know that it goes beyond just film and television? Today, the moving image is a vital aspect of art, architecture, website design, and even urban planning. The Moving Eye: Film, Television, Architecture, Visual Art and the Modern Book explores this fascinating concept in detail, bringing together renowned thinkers from various disciplines to offer their insights.

One of the key figures in visual studies, Anne Friedberg, has paved the way for understanding the experience of vision in motion. Her influential books have shaped the discussions around framing images and the viewers who perceive them. However, her work has never been thoroughly examined in a dedicated study. That's where The Moving Eye comes in, as it delves deep into Friedberg's theories and their implications for film, video, new media, visual art, architecture, exhibition design, urban space, and even virtual reality.

This captivating book features nine essays that build upon Friedberg's ideas, taking the reader on a journey from the early days of cinema to the modern works of artists like Le Corbusier, Gordon Matta-Clark, and Pierre Huyghe. These essays draw inspiration from various fields such as psychoanalysis, theories of the public sphere, and even animal studies, offering fresh perspectives and pushing the boundaries of visual studies.

If you're a professional in any of the aforementioned fields or simply have a passion for the moving image, The Moving Eye: Film, Television, Architecture, Visual Art and the Modern Book is a must-read. Take advantage of this opportunity to expand your knowledge and gain new insights into the ever-evolving world of visual culture.

Get your copy of The Moving Eye: Film, Television, Architecture, Visual Art and the Modern Book today and embark on a journey of discovery.

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